Tuesday, August 1, 2017

More Digital Design

Lately, I find that I am spending quite a lot of time drawing on my iPad.....probably more than I would with pencil and paper. I think the reason being that drawing digitally lets you  "undo" & "redo" as much as you like. Those who know me, know I tend to fuss with detail. Another fabulous feature of drawing digitally is that you can copy and paste elements you have drawn. (so efficient!)  This mandala, inspired by the little birds socializing among the roses is a perfect example.

The photo below illustrates how I went from drawing a small wedge of my design, then by duplicating and rotating that chunk, I was easily able to create a complete circle. It is so interesting to watch the full image develop as you work through that process.

Of course, once that was done, I added more detail.....more....more...more

I drew it using dark ink lines (well....ya know....digital ink)

then, just for the fun of it, I changed the ink to white to see how the drawing might look that way.

This was all achieved on my iPad mini2, Concepts app and my Bamboo Sketch

As I look back at several of my art quilts and those fun paper cut snowflakes, I realize that I do seem to be quite drawn to the mandala form (no pun intended)

Sunday, July 23, 2017

Learning to Spin

I seem to have this thing about trying new (to me) ways of playing with fibre and have wanted to try my hand at spinning for some time now.  This past winter, I created my own DIY drop spindle that would allow me to "ply" reclaimed yarns and so was able to get a feel for working with it, but still had not actually tried to spin my own yarn.
When I saw this particular batch of dyed roving, I knew the time was right to take up the challenge. As I mentioned in my previous post, I spent a lot of time watching a variety of You Tube videos and reading many tutorials before diving in. I did not expect to be perfect first time out of the gate. I am aware that the nature of hand spinning on a drop spindle means there will always be some inconsistencies, but I think that is also what makes it so intriguing.

I am taking it slow, methodically pre-drafting the roving, getting a feel for how to manipulate those delicate fibres. At this stage, I am using what is known as the "Park and Draft" method


I am trying to spin a fairly fine strand......but at the same time, something I can keep as consistent as possible.

I spun the roving clockwise and once I had enough built up on the spindle to try the next step in the process, I split what I had into 2 little balls and set about to ply them together.

and plied counter-clockwise  (to take the photo, I "parked" the spindle in a glass flower frog) and to keep the little balls from tangling together, I placed each of them in their own glass jar.

I do not have special tools for any of this, so I set the twist by wrapping the yarn around a flexible thin sheet of plastic ( it was originally the cover from a document folder ) and placed it to soak in warm water for a few minutes. Once the excess water was squeezed out, the little hank was hung and left to dry.

It may not be perfect.....but I am thrilled with the result of my first spin experiment.

To give an idea of the size or "weight" of this yarn....I am getting 14 wraps per inch.
Because I am learning as I go, I decided to work through all of the steps of the process on a small scale, so that I now feel I have basic understanding of the mechanics involved and am ready to try spinning a full skein.  
Even though I don't have fancy tools, I believe using a quality roving makes a huge difference. This particular roving is 70% Merino wool 30% Silk and was purchased locally from Debbie Jamieson Owner/Dyer  of  The Loving Path Fibre Arts, you can find her on Etsy and Facebook

Friday, July 14, 2017

A Little of This and a Little of That

What have I been up to?  well..............lets see
Got this gorgeous roving last week.......I am very aware that learning to spin on my drop spindle will take patience and practice, but I have been watching lots of tutorials on You Tube, I think I am just about ready to give it a try.
I am still hand stitching my big quilt (although I must admit it is not receiving as much attention these days) but I have made it all the way to the outer border. If you don't recall this stash busting quilt, you can see earlier posts here and here

What I have been doing, is spending lots of time drawing on my iPad. I especially enjoy being able to sit out on my deck while drawing....the breeze can't blow my drawings away.
I was recently asked to share my process for creating Mandalas (like the ones shown below) using my iPad mini2, Concepts and my new Bamboo Sketch stylus by Wacom

if you are interested in taking a look, you can find the online article here, even if you don't want to "read" the technical stuff, there is plenty of eye candy and some fun to watch, quick little video clips.
A special thank you to  Erica Christensen for her work on this piece (she makes me sound like I almost know what I am talking about)

Oh, I even used the app and stylus to remove and replace the original background of the bio photo, now it appears that I am standing in front of one of my Mandala quilts.  :-)

Wednesday, June 28, 2017

Its in the Details

Recently, I have been playing with some ideas of adding details to garments I make. I tend to wear a LOT of black (there is not much in my wardrobe that is not black) but lets face it, black can be boring. I LOVE to hand stitch with interesting thread, so I thought why not try it on my clothing.

Of course, if you know me, you will know that I have to do more than thread a needle. In this experiment, (just a test sample for now)  I wanted to see if I could create a subtle print on black and then add thread.

I began by drawing an overall print

I created a stencil with freezer paper

Next, the stencil was ironed securely in place to a piece of lovely rayon knit fabric and brushed with discharge paste. This has to be done quickly as the freezer paper will become saturated if you take too long... it must be removed. As I found out rather quickly, I will want to secure the fabric in some manner next time as the "stretchy-ness" of the knit made removing the stuck down freezer paper without disturbing the design, just a wee bit tricky.  (You can learn a lot by doing little test samples) I also learned that if I want to use this method on a large area, I will want to break the stenciling job into smaller sections to better facilitate the whole process.

Below, is what the design looked like when the paste was dry, but before it was "activated" with the iron.

this next image shows the result of activation and rinsing the remaining product from the fabric.

the hand of the fabric remains unchanged and I am left with a  lovely ghost print to stitch around adding texture and interest.

Something as simple as hand stitching around neck and sleeve bands can add interest, here I used a variegated 12 wt thread and did a double line of stitches.

Wednesday, June 21, 2017

Chloe comes to life

Earlier this spring, I was so excited to announce that once again, Trish Burr was in the process of transforming another of my doodles into her fabulous Whitework (with colour) embroidery designs.
 Chloe......the "doodled" version

Trish Burr's  Chloe......Whitework with colour

I am beyond thrilled to have this opportunity to play a small part in the development of Trish's incredible work.
If you are interested in creating this beautiful, hand embroidered feline, see the available options here

Tuesday, June 6, 2017

Imaginary home

I love to watch the birds, they seem especially busy this time of year....either they are setting up new homes or already raising their hatch-lings.

This guy just got the keys to his new digs

Tuesday, May 30, 2017

Big Bee Progress

Its almost time for the Canadian Quilters Association's annual conference and the Big Quilt Bee. I talked about this initiative in an earlier post. Quilters across Canada (and beyond) have really stepped up to make this happen. (in case you did not know...the goal is to make and donate 1,000 quilts for kids at Ronald MacDonald house)
The Big Quilt Bee will be held June 14-17, 2017 at Quilt Canada 2017 in Toronto, ON., there will be sewing machines, long arms, mid arms and an LOTS of volunteers ready to work on the quilt tops and blocks sent in by hundreds of Canadian quilters and judging by the number of finished quilts already received, it does appear that goal is sure to be achieved. You may have seen the graphics popping up on social media over the past few months.
I had the distinct pleasure of creating the "hive" being used as the count down (count "up")

I was initially asked for a thermometer type graphic to show the progress as the count of finished quilts climbed....since it is the Big Quilt Bee, this is what I came up with......this little black and white doodle.
Then colour and numbers were added to allow the graphic to change as the numbers go up (all done digitally on my iPad using Concepts app)

The most recent count has reached 800
What will the final count Bee?

Wednesday, May 17, 2017

Slow Stitching

Just look at this cover......doesn't that make you WANT to get inside  and explore what lies within?

In a nutshell...The Hand Stitched Surface Slow Stitching and Mixed-Media Techniques for Fabric and Paper by Lynn Krawczyk is all about stitching, stitching by hand, with a variety of threads on a variety of surfaces.
If you are looking for pre-planned designs, florals or wildlife....this is not the book for you. This book is all about having fun with your stitching....about thinking differently, being free and creative, its not about serious, perfect stitches, it is about releasing your creative, quirky, playful side.

You will begin with great info on the basic tools you need, the needles, their differences, types of threads, fabrics, paper (yes paper) and card that work well to get the best results with your projects. 
In addition to clear instructions for many stitches.....you are shown ways to further use each basic stitch to create even more interest with them, and what can be acquired by combining them.

Lynn provides examples exploring colour/ colour combinations and its impact in stitched compositions.

The book contains beautifully photographed instruction and templates for all 15 projects. (8 fabric, 7 paper) .......some I found VERY interesting and others.....hmmm, not so much, but I am aware that not everything appeals to everyone.

Note : The full sized templates can be scanned from the book or downloaded for printing.

You will also be guided through a few Mixed-media techniques, like glue resist/ dyeing, stamp carving/stamping, and making a paper stencil help you add more even interest to the surfaces you'll stitch. 

The projects involve improvisational stitching....basically, once you have followed the instructions to get the base of your project ready (what you will actually stitch through) you will make the decisions as to what stitches or combinations you want to use....it's kind of doodling with thread....you make it up as you go along.  you can find at Quarto Knows....here  or Amazon ......here

Those who know me, know that I am a bit of a perfectionist, I must have order.....improvisational, free form or wonky anything is tough for me, so I decided to test myself a little and try something from the book. This project is way out of my comfort zone but as I work along I am finding it quite interesting.....I started with this composition 

began some stitching and continued to make slight changes.

I have to admit.....it is becoming a little addictive.....playing with shape, colour and stitch
Currently still a work in progress...... What will it be and where it will end????? stay tuned LOL! 

Tuesday, May 9, 2017

Design your own clothing....Interested?

Occasionally, the opportunity to review books comes my way. Sometimes they interest me, and at other times....not so much. But as a former dressmaker/designer, I was keen to have a good look at a new, soon to be released, book called Designing Clothes with the Flat Pattern Method Customize Fitting Shells to Create Garments in Any Style.

The 176 pages of this book is filled with the information needed to get you started on the path to designing patterns for creating your own unique garments.  It all begins with a basic commercial pattern ....(something similar to this)
Basic pattern example
From here, you will learn how to create the Master patterns (also known as "blocks" or "slopers") necessary to begin each of your new designs.

The author explains the importance of building a master pattern "library" from which to work. With properly fitting master patterns, (bodice, sleeve, skirt, and pants), you are ready to begin your adventure in bringing to life the look and style of clothing you want to wear. 

Sara takes you through the process with clear, detailed, step by step instruction. Along side these explanations, you will find an abundance of reference photos and many valuable tips to help you understand the process as you work through the exercises.
You will learn about dart manipulation, ease adjustments, lengthening and or shortening, as well as creating design details such as flare, pleats, gathers, yokes, pockets, necklines, collars, plackets, facings and more. Design applications that can be used to create a vast number of different styles, of course, some are more complicated than others and so the author encourages you to start with a few easier design details to help you understand the process and build your skills.

While, the instruction is beautifully presented.....containing a lot of in depth information, I would suggest that you do need to have at least some knowledge of garment construction and terminology.

As someone who has worked in this industry, I want to point out that having the ability to design your own clothing is not something that happens overnight, there is a great deal to be learned, so you do need to be patient, and to understand that you will need to build your skills, starting with some basic changes to style lines, dart manipulation, learning and understanding the importance of ease, and most importantly fit. 
If a well fitting basic garment pattern is not what you are starting with, you can not expect the designs you create to fit, move, and look the way you desire. 
I might suggest that if you are not confident in your fitting abilities, you may wish to enlist the help of a friend or perhaps even seek out a competent dressmaker who may be willing to adjust your fitting shells for you as these will be the base for your master patterns, giving you the confidence of knowing that your master patterns are going to work for you as you dive into the world of fashion design and save you a lot of time and frustration.

Designing Clothes with the Flat Pattern Method,
Customize Fitting Shells to Create Garments in Any Style. 
By  Sara Alm ( author, pattern maker, designer, and sewing instructor )

Release date May 15 2017
8.5"  x 11" 
176 pages

you can find it  at Quarto here or on Amazon  here   or Indigo   here

Sunday, April 30, 2017

Feeling BUGGED!!!!

I have no idea how long it has been....but apparently, none of my gallery links worked. I thought the problem had been corrected.....nope, it seems not.... learned today that they just sent you to an "error"page.    ARRRRRGH!!!! 

BUT.....they ARE  working now.....gosh...at least I sure hope so.
By clicking on the photos on my side bar, Project Gallery, Doodle Gallery, Snowflakes and My Toy Sewing Machines...you should be taken to a photo gallery of each of them.....you can  also find links on "Galleries" page in the tool bar above.
This doodle was inspired by the variety of bugs I have been dealing with...technical and otherwise.

Copyright Jill Buckley